WU Yen-I

2014年11月2日星期日

噴織纖維-皮表記憶

作品名稱:餐桌記憶(食)

作者:吳妍儀

作品材質:噴織纖維

創作年代:2013

作品說明: 利用噴織出的纖維, 一層一層覆蓋在廚房中日常生活的用具上,再脫膜,。熟悉的物件以立體的方式再次呈現,像是紀錄生活中日復一日的進食與習慣。

作品名稱:皮膜記憶(Ι)

作者:吳妍儀

作品材質:噴織纖維

創作年代:2013

作品說明:

利用噴織出的纖維,一層一層覆蓋,一體成型之後再脫膜,背後用針線從頭至腰部細密縫住,猶如手術後的修復傷口痕跡, 人體皮膜低頭哀殤之姿,像是對肉體皮膜的嘲弄。

作品名稱:皮膜記憶Ⅱ

作者:吳妍儀

作品材質:噴織纖維/jet knitting fibers

創作年代:2013

尺寸:高60cm x寬30cm　

作品說明:

利用噴織出的纖維層層覆蓋,一體成型之後再脫膜,脫膜過程中薄層纖維撕裂,經過重組定位, 纖維皮膜再現挺立之姿,是對女性肉體皮膜的脆弱之隱喻。

噴織纖維- 女體記憶(衣) 2013 吳妍儀

2013年10月1日星期二

《衣務室》吳妍儀纖維實驗創作個展《The Clothing Business 》An Experimental Creation of Fibers: A Solo Exhibition by Wu Yen-I

畫廊名稱：新樂園藝術空間

展覽期間：2013/10/18(五)~11/10(日)

開幕茶會2013/10/19(六)，16:00

座談會：2013/11/09(六)，16:00-18:00 與談人:許瀞月(台北市立教育大學視覺藝術系教授)

展覽名稱：《衣務室》吳妍儀纖維實驗創作個展

《The Clothing Business 》An Experimental Creation of Fibers: A Solo Exhibition by Wu Yen-I

展覽介紹：

《衣務室》是呈現關於衣服的事務，展出的物件不是一針一線縫製出來的，而是利用纖維噴織的方式，一體成型噴出來的纖維實驗創作。

Description:

As the title “The Clothing Business” implies reveals the business related to clothing.The objects showcased at the exhibition are not made through the process of stitching one thread at a time.Instead, they were woven by a method of jet knitting fibers.This is an experimental creation of fibers that takes due to a spraying motion.

利用纖維噴織可披覆塑型的特質，進行類衣服創作及日常物件的再現，物品或許不再具備原本的質感，但外型卻又令人熟悉，在此與觀者之間所產生質料錯置與似曾相識的對話感，是本次展出的中心。

Fibers that are weaved through jet knitting can be coated with plastic qualities, so that clothes-like creations and daily objects can be reproduced, items might not longer to have their original textures, but it appearances quite familiar.Meanwhile the major concept of this exhibition lies in the dialogue generated through a misplaced sense of deja vu by the viewer.

這個像蜘蛛吐絲般的機器，並不像石膏、紙漿可以直接澆淋、翻模，困難在於角度的切入，厚薄層次的控制，機器噴嘴固定，物件需靠手的轉動，百分之百手工勞動…。雖然如此，第一次利用新的媒材進行藝術創作，希望可以引發同好前來討論分享。本次展覽有一個延伸動態服裝秀，將在10月28日下午3點在台灣博物館一樓大廳展出。

Like a spider, this machine spews webs to produce forms that are not moldable, unlike those constructed from plaster or paper pulp.The challenge lies in determining the correct angles of approach, controlling the thickness of the layers, adjusting the nozzles, and turning items by hand through a process of complete manual work. Nevertheless, I want to share my experiences regarding the creation of artwork with this new medium.This exhibition will feature a fashion show presenting these creations at 3 PM on October 28 at the National Taiwan Museum.

《奇想》吳妍儀服裝秀個展

展演地點:台灣博物館1F大廳 (100台北市中正區襄陽路2號)

展覽名稱：《奇想》吳妍儀服裝秀個展

秀展時間:2013/10/28(一)15:00~15:30

Admission time: 14:30~14:50 (觀眾入場時間14:30~14:50)

概念敘述:

「奇想」來自此次展覽所衍生，對傳統旗袍所產生新的奇幻異想。本秀展共約20套服裝，分四個系列:一、輕巧時尚二、幾何解構三、褶褶疊疊四、實驗創新。以造型藝術的觀點出發，對傳統旗袍的基本結構:立領、收腰、盤扣、開衩、袖型;進行改造與重組。使用不同的材質:紗、緞、綿、皮革、化纖、塑膠…等作幾何造型的褶、縫與質感拼接，詮釋創作者對旗袍的創新視點。

《Fantasy》 The Solo Fashion show of Wu Yen-I

Concept:
Drawing from imaginations regarding traditional Chinese Gipaos, the exhibition, Fantasy, will feature twenty pieces of clothing that can be divided into the categories: sleek and stylish, geometric patterns, folding patterns, and experimental. Invoking the plastic arts, the designs of these traditional Chinese Gipaos serve as experiments with collars, waists, plate buttons, slits, sleeve layouts, and other formats. Using silk, satin, cotton, leather, chemical fibers, and even plastic for fabric, various kinds of pleats, sewing, and textures are achieved to shape a new perspective on the design of Gipaos.